While on Sway and Devi Dev’s morning radio show, Erick speaks on the making of his record “Music,” before performing it live on the air.
PREVIOUS: Erick Sermon – Set It Off f. Swizz Beatz, Mone & Fred The Godson
While on Sway and Devi Dev’s morning radio show, Erick speaks on the making of his record “Music,” before performing it live on the air.
PREVIOUS: Erick Sermon – Set It Off f. Swizz Beatz, Mone & Fred The Godson
Action Bronson was in Chicago a couple months ago for Digital Freshness and a Closed Session. He posted up at SoundScape and went to work, got in a zone, and recorded multiple songs with producer Thelonious Martin. “Dear Heather” was the last song Bronson recorded that night, and features Rockie Fresh, who came through SoundScape as well to collaborate. We later added Macie Stewart of Kids These Days to provide a hook, and complete the song.
While we’ll have a different song from Action going on Closed Sessions Vol. 2 (coming this March), we offer up “Dear Heather” as Closed Sessions B-Side. It is also an official launch of our new project and it feels great to be back! Look for new Closed Sessions music and documentaries coming this March featuring Action Bronson, Raekwon, L.E.P. Bogus Boys, Sir Michael Rocks, Vic Mensa, Vonnegutt, Treated Crew, Blu, CyHi The Prynce, and many others. This is just the start. We’ll have more info on the new album as well as our release party in Austin over the next few weeks. We’ve got some great things in the works, thank you to all that rock with us.
Go to the next page to see a behind the scenes clip from the making of “Dear Heather” as well as download the song.
With the 54th Grammy Awards show taking place this Sunday, J. Cole recently sat down to speak on his nomination for Best New Artist. Look and listen as the North Carolina emcee delves into the process of releasing his album before the Grammy deadline, as well as him saying that he has already moved on to the next project. Make sure you tune in, as one of the biggest night's in music takes place at 8PM EST on CBS.
This week Jordan Brand invited us out to New York for the official launch of its Air Jordan 2012 flagship model. A welcomed opportunity, the occasion allowed us to highlight various facets of the design process between the collaborative effort of Senior Jordan Brand designer Tom Luedecke and iconic Nike designer Tinker Hatfield, some seen here. Inspired by Jump Town, an old Portland neighborhood known for its infatuation with zoot suits and jazz, the wingtip-influenced Air Jordan 2012 continues MJ’s legacy with a sneaker that not brings a whole new level of performance aesthetics to the table but also pays homage to the past.
The Inspiration for the Air Jordan 2012.
Tinker: In general terms, my job is to start thinking about inspiration, design, art and I guess you could say, the romantic side of our product process.
I’m a bit of an urban planner and architect on the side. I was working with the City of Portland on rejuvenating an old entertainment district that was sometimes referred to as Jump Town. It was the place where you would go to listen to jazz music in the 1920s, ’30s, ’40s… almost until the ’60s. It was predominately a black district where people would congregate and have a great time. There were neighborhoods like that all over the United States, in all the major cities and even smaller ones. We know about Harlem, of course, and different neighborhoods like that in Chicago and LA.
There was a style of clothing that was developed, more outlandish… big huge shoulder pads and hats, fedoras and wilder shoes. Shoes might have still been wingtips or saddle shoes, but what I was sort of amped up about them was the color. I thought about that as a jumping off point in terms of inspiration. I drew a stylistic vision of a guy in a zoot suit. This was drawn on an iPad as a first sketch, trying to find a way to figure out how to design the shoe. I took everything that I knew regarding what Tom (Ledecke) was working on in terms of modularity and what I thought about in terms of cushioning and modern basketball shoe design, for performance reasons, and then combined those two things. So you can imagine… a basketball shoe combined with a black and white saddle shoe that you might wear to go out dancing.
One of the cool things about this design is that because of the various panels, when you color the shoe up it really changes its character a lot. What does a wingtip look like on a basketball shoe? Well who knows. I didn’t know, so I just started sketching. Some of it was historically driven and some of it was just me thinking how I would convert this sort of style into the shape of a basketball shoe.
At that point, we knew component-wise what we were trying to do, we knew how we were trying to improve performance for basketball shoes but now we actually had a design direction which encompasses some inspiration. From there it switches into this blended process.. blending art and science together.
Utilizing Nike technologies.
Tom: We used some of the big brother Nike technologies, but not in a way that’s anywhere close to what you’d expect. We were really trying to bring the beauty, the soulfulness and the craft that Tinker and MJ (Jordan) focus on to the forefront and let technology subside and be in the background. This was based on knowing that our consumers are athletes and trust that we deliver top notch technological performance product but never in a way where that’s the only story we’re telling and definitely not the first story we’re telling. I think the story behind it to me is a lot more important at times because we have such a tremendous backlog of technologies to rely upon.
The Concept of Modularity.
Tom: We have three different flight systems, with various cushioning properties. It becomes very interesting once you buy a second pair because now you have multiple color possibilities, with choices that you can switch back and forth. We really pay a lot of attention to materials, Jordan always has. On this product we introduce a whole new carbon weave that is proprietary to Jordan. That really inspired the traction pattern and some of the other details on the product that you’re about to see when you take it apart. That’s something that to me is really, really interesting because you get a lot more out of the product, things that only Jordan Brand can offer.
Michael Jordan’s role with the Air Jordan 2012.
Tinker: Michael has been a great partner over the years, not by just inspiring us with his wonderful play on the court, but believe it or not, he’s a true active partner in the design process. We try to work with him on a regular basis to show some of our ideas and then he carries back toward us with some of his ideas. He really does engage with us through this unique relationship. Without him pushing us, I don’t think any of the shoes would be as good are they are.
Its not that easy to try and replicate some sort of historical design feature, like a wingtip on a wingtip shoe and then try to retrofit it to something that isn’t shaped the least bit like a wingtip shoe. Yet he helped us get there and we looked at this numerous times. As Tom (Luedecke) spoke about, details are so important. The spacing of the perforations, getting Michael’s feedback on the collar and making sure things fit properly. Its definitely not only trying to understand how things should not only work but how they should look and then on top of that, how you can modify that look.
Tom: He’s (Michael Jordan) fantastic to work with. Somebody as iconic as he is, to get his feedback and input is great. He’s not the only one that pushes, Tinker is definitely the culprit of a lot of pushing as well [laughs].
Michael Jordan’s Biggest Concern.
Tinker: His biggest concern I think is, does the shoe work? When he was playing, if the shoe did not perform at the best level, that could potentially hinder his game and even though he’s not playing anymore he’s still wants us to continue on with that priority. The priority is, do these shoes work really well for the best players in the world? I think that’s the number one concern. On the other side of the coin, we know a lot of people come into the store, walk up to a shoe and choose it because of what it looks like, so we hope we find the right balance and that it still performs the best that we can make it perform. We all know MJ was, and still is, a stylish guy [laughs]. He’s an extremely stylish person and he’s always been interested in the fact that if you look good you feel good, and if you feel good, you play better, but I don’t think that there is any question we’re all most concerned about how well these shoes work on the basketball court.
The Discreet Design Process.
Tinker: These shoes don’t really come together until the very last second. That’s an actual strategy for two reasons. One, it just takes that long and two, we don’t really want anybody to knock us off and steal our ideas for Jordan product, even internally. Nike is such a huge company, there are many, many different divisions at Nike, lots of people working on lots of designs and once you put something out there it influences everyone. We really try not to show this shoe very early, partly because it’s not done yet but also because we really don’t want too many people to know about it until its really, really well done and too late to knock off. Jordan is a basketball brand that’s like no other and we have a lot of live up to every time we put out one of these shoes.
The Considered Philosophy.
Tinker: Everything we do is Considered. When we did the Jordan 23, that was a real considered effort to try and actually figure out if we could lower our carbon footprint and make things more recyclable and use less harmful chemicals. We went through this process and it was a very difficult process because I don’t think anyone in the basketball world had gone after it like we did. We learned a lot from that process, so everything that we do now has a Considered component. We made a big deal out of that one because it was the first.
Even though you see three midsoles (in the Air Jordan 2012) they’re made out of materials that are less harmful to the environment or maybe not even harmful at all. Part of the trick with Considered is considering the process all along the way. What about the people that actually put the shoes together in the factory? What about the fumes? Are they going to make somebody sick? All of that goes into this process now, which wasn’t the case 4, 5, or 6 years old. We’re learning more about how to do that for everything we do. It should be expected by everyone that our shoes are becoming more and more safe for the environment and more responsible as it pertains to our world.
Tom: Jordan Brand is one of the most Considered businesses inside the Nike portfolio. It may not be something we talk about very loudly and its not something that we showcase on specific products but throughout our line, including our apparel we have very high standards regarding our footprint.
Reducing Weight.
Tinker: It (Air Jordan 2012) does pose some weigh challenges but its amazing how with proper material choices and just putting everything on a diet, it all fits together and it ends up not weighing much more than a traditionally built shoe. I think that design and life in general, is all about trade offs and we’re willing to trade off a few grams to make sure this shoe fits better for particular individuals so that they can be more comfortable and hopefully play better. I’m pretty amazed at Tom (Luedeck) and his team as to how they could fully develop this project and you still have what I would consider a lightweight basketball shoe, even though its actually two shoes in one.
Tom: You can actually wear the liner as a karate slipper [laughs]. Josh Herd and I were tied at the hip to make sure that every single component, every single material, every layer of the product was Considered in terms of weight and its footprint on the world. I think the low cut bootie, we really focused in on making it the lightest weight we could make it on that, that really is a very minimal product. On the flip side of that, the high cut bootie we didn’t shy back to add a few extra grams so it feels more protected. There’s more foam in there, there’s more material around the ankle so that a bigger player, or somebody that’s recently been injured, or coming back from injury, still feels really protected. At the end of the day, you’ve got to feel confident out on the court with the product on.
Arguably two of the hottest emcees in the game right now, Kendrick Lamar and Schoolboy Q chopped it up with radio personality Peter Rosenberg for Hot 97 as they continue their interview campaign. The conversation touches upon subjects like touring with Drizzy Drake, their music history and the respective hype surround them among other.
Kendrick is incredible and Q is definitely getting pretty dope himself. Sat down with them and talked about a lot including why Schoolboy Q put out a record that sort of promotes drinking and driving.
We spoke to New Moon 2012 artist and creator of a plethora of doe-eyed beauties, Tati Suarez for our “Five Questions With…” post.
When you are feeling unmotivated to create art, what do you do to inspire yourself?
I make myself step back and take a little break. Going for walks to uncomplicate my head usually works. While on these walks, I find a lot of cool shops or a bookstore where I find goodies that will inspire me. Attending art shows. Watching movies. Traveling (need more of this please).
What artists’ work are you a fan of at the moment?
Ah, there’s so many! At the moment – Alphonse Mucha, James Jean, Joao Ruas, Chet Zar, Glenn Bar, Chris Sanders, Tara McPherson,and Miss Van to list a few.
We have seen a lot of mural work from you. Do you prefer this to working smaller, like on canvas or board?
They’re both really fun! However, I still prefer painting in my studio on a board or canvas. I’m still not comfortable with people watching me work, especially witnessing the beginning stages. I also never feel quite satisfied with the mural pieces because I tend to treat them like oil paintings – so much blending and perfecting for something that’s meant to be viewed from afar. I keep wanting to spend more time with them. I love painting them tho, it’s rewarding to see one of my ladies in such a large scale and in the outdoors!
Why are you drawn to creating female characters in your work?
All my drawings growing up were cartoons, girls, & animals, especially Disney princesses. I’ve just always been fascinated with female figures and the shapes that their bodies make – they’re just beautiful. Beautiful vessels to capture and share emotions and tell stories.
Do you think your Brazilian and El Salvadorian heritage affect the style and content of your work? If, yes, how?
Totally. I’m proud of my background, and always thirsty for learning more about my ancestry and their cultures. I’m intrigued by urban legends, myths, customs and story-telling. The bodies of work I’ve produced in the the past 2 years are heavily influenced by my heritage. I always get asked if my girls are meant to be self-portraits, to which my reply is always say no. However, the more I learn about my background, the more I find myself developing a connection between them. Each piece definitely becomes more of a representation of myself but I wouldn’t exactly call them self-portraits yet.
Thanks, Tati!
With music videos being at an all-time high in regards of creativity, it is only right to also highlight the innovators behind the lenses. Meet Matt Alonzo, who has been labeled as a leading force for the 2nd generation of hip-hop music video directors. With visual work for the likes of Ice Cube, The Game, Chris Cornell, The Clipse, Cypress Hill, Xzibit and many more, he has established himself as a sought after name for creative, narrative-based music videos. Check out the mini documenatry Up Close in order to receive an inside look into the director's life past, present and future prospects. Directed by Michael Busalacchi.

The Chicago-reared producer and Executive Vice President of A&R at Def Jam spoke to Complex about his new job, his contributions to Jay and ‘Ye’s 2011 album and, interestingly enough, the negative impact Nas’ debut album has…
In the 2000s there were a lot of records where you had to get a big name guy for your single or else it didn’t really work out for you.
Yeah. I always joke with Nas and tell him it’s his fault, that Illmatic caused a problem. Before that, when I started doing music, there wasn’t a concept of, “I could work on a Public Enemy album,” or an Ice Cube album, or A Tribe Called Quest, or Gang Starr. It was a closed issue. You didn’t submit a beat to Pete Rock and C.L. Smooth.
When Nas didn’t have a DJ-producer in his set-up, he reached out to some of the better people and they respected him enough to work on it. That was the, “Oh wow. You can work with these guys?” Then you had Puff put together The Hitmen and have success, and I think that’s when it turned into, “Well, using a lot of people might work better.”
READ: Interview: No I.D. Talks Def Jam, Kanye West, & How He Affected “Watch The Throne”
While out in Canada land, A$AP Rocky and company chop it up with Montreality about the following.
- Their story (0:21)
- The type of students they were at school (0:44)
- Jobs they had as teenagers (0:59)
- What they spent their 1st big paychecks on (1:09)
- The key to success (1:35)
- The A$AP Mob compilation album & A$AP Rocky’s debut album (2:14)
- Going on the Club Paradise tour with Drake & Kendrick Lamar (2:35)
- What they would call their book if they were to write one (2:50)
- Memorable tour stories (3:19)
- Artists they would like to work with (3:59)
- Their tattoos (4:39)
- Rumours of A$AP Rocky being in Nas’ Nasty video (4:54)
- What they have in their pockets (5:28)
Gotta love descriptions that are broken down like that right?

Montreality from Canada, recently sat down with ASAP Rocky and the ASAP Mob to talk about their backgrounds, school, the debut album, tour stories, what they spent their first paychecks on and a lot more. Check out the interview here below.
Click here to view the embedded video.
© 2012 Highsnobiety for Titel Media. Author: David Fischer |
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